Teller | Rokoko | Cumberland | 16 cm Ruth Gurvich were also decorated with three-dimensional

were also decorated with three-dimensional acanthus leaves - a typical motif in classical art and architecture that Auliczek was able to study on his travels through Italy

but is part of good manners at the table

In der Geschichte Nymphenburgs spielt das majestätische Wappentier im doppelten Sinn eine Rolle: Zum einen ist es eine Reminiszenz an die bayerische Kultur und den Standort der Manufaktur

Einzigartig wie ihr Vorbild aus der Natur und ohne Verwendung von Modellformen wachsen die Miniaturen in den Händen der Kunsthandwerker

Being famous is not a question of size

Teller | Rokoko | Cumberland | 16 cm Ruth Gurvich were also decorated with three-dimensionalThis rococo service from the height of Franz Anton Bustelli's creative period was the first Elector's Court Service from the Porzellan Manufaktur Nymphenburg. Since it was frowned upon at that time to use fresh flowers as decorations at the table since they might wither during the meal, in 1765 Joseph Zaechenberger designed a colourful and festive decor with floral bouquets, individual flowers, butterflies and insects, all framed by a fine gold lace